If you’ve seen writer/director Erik Reese‘s debut Train to Stockholm—a personal, introspective drama—the thought of him helming a down and dirty Nevadan desert revenger doesn’t necessarily come to mind. But that’s exactly what he’s done with Dead Bullet, the successful genre jump as good a calling card as any for his talents. Starting closer to his adopted home of Finland, Reese reworked a Scandinavian-set script that didn’t quite come together as he’d like for the sweltering